Michel Petrossian occupies a singular position in the contemporary landscape. His work belongs to a demanding postmodernity, shaped by erudition and by the expanded circulation of cultural references.
His distinctiveness lies in the intellectual coherence of the systems he constructs and in the articulation of dimensions often kept apart: a high degree of rational organization of musical material, rigorous technical command of compositional parameters, and an understanding of music as a mode of knowledge and as a vehicle for spiritual experience.
While situating himself within the continuity of the great Western art music tradition, he is also deeply marked by the civilizations of the ancient East—encountered through academic study of early texts, participation in archaeological excavations, and extensive travels.
It is in the imagined music of an extreme past that he seeks the echo of the future: a way of inscribing contemporary creation within an active historical depth, where multiple layers of time remain simultaneously operative.
Chamber opera
For large ensemble
Cello Concerto and Orchestra
For oboe alone
Solo viola
For solo cello
For Solo Violin
String Quartet
For Violin, Piano, and Cello
For piano
Six art songs for Bass-baryton and Piano
For Voice and 9 Instruments
For 12 Voices
For oboe alone
Chamber opera
Solo viola
For large ensemble
Cello Concerto and Orchestra
For solo cello
Six art songs for Bass-baryton and Piano
For Solo Violin
For Voice and 9 Instruments
String Quartet
For 12 Voices
For Violin, Piano, and Cello
For piano